Elle September 2009
When it comes to perfect tresses, Jennifer Aniston steals the show time and time again.
Gucci F/W 2009 by Inez van Lamsweerde & Vinoodh Matadin
Slick - that's the only word that comes to mind in describing this collection. I love the oil spill shoes, the sequin leopard dress and pantsuit, and the fabulous use of patent leather, studs, and silks to create the polished yet edgy texture of the line. And of course, who could overlook the neon blue tipped fur coat? The platinum blond, auburn brunet, and glossy black dos are the perfect toppers to pull this add campaign together.
Christina Kruse by Richard Kern for Muse #18 Summer 2009
Reading this article was such a breath of fresh air that I just had to share it with you (you might have to fiddle around with your browser size to see the second column).
There is something very exacting in the way Kruse answers the questions. Terms are clarified, ideas develop fluidly, and each question is systematically answered and even elaborated upon. Her style is almost mathematical, in an unassuming sort of way. In the end I was left with the sense that I spoke directly with Kruse and walked away with something to chew on.
There is something very exacting in the way Kruse answers the questions. Terms are clarified, ideas develop fluidly, and each question is systematically answered and even elaborated upon. Her style is almost mathematical, in an unassuming sort of way. In the end I was left with the sense that I spoke directly with Kruse and walked away with something to chew on.
Carmen Kass by Terry Richardson for Vogue Paris August 2006
Even though this shoot is already three years old, I just love it. Carmen is one of my favorites because, unlike those fresh-faced teens, she has a look that only comes with experience (she was 28 at the time of this shoot). There is a certainty in the way she holds herself and composes her features that make her more relevant to the 20 and 30-something readers that live in this world, not just the world of glossy magazines. She lends her character a depth that cannot be styled or summed up in a quick directorial motivation blurb - a depth that grounds the shoot beyond what younger models can do early in their career. Coupled with the styling of Emmanuelle Alt (who very craftily uses the same pieces for several outfits, lending yet another layer of reality by acknowledging that we don't have an infinite jewelery chest), and Terry Richardson (who has an eye honed to capture shadows that lend an air of nonchalance), this shoot is stunning in its composition and real in its applicability.
oh, and a little PS -- check out the white burnout shirt. Its use in this shoot is a perfect example of how trends don't always come out of nowhere but take a while for the public (mainly State-Side) to become familiar with it and understand how to wear it by seeing here and there, and then blow it up to trend level.
oh, and a little PS -- check out the white burnout shirt. Its use in this shoot is a perfect example of how trends don't always come out of nowhere but take a while for the public (mainly State-Side) to become familiar with it and understand how to wear it by seeing here and there, and then blow it up to trend level.
Anniemal and Risko are my two newest loves. Aussie girls having fun and looking damn good all the while with blogs to match. They remind me of all those reckless Melbourne nights back in the day.
Talking about partners in crime, mine left for a stint in Law school allll the way in NYC this past year. It has been a while since we've gotten into any serious trouble, but all that is going to change when she comes visit next weekend...
I just love the lighting and colour combinations of this set. The textures of the bedding and clothes are perfectly balanced by the presence of something smooth and almost metallic (the wood frame of the black chair or bedframe, the ashtray, spilled liquids, or polished floors). The best is that nothing is hidden - you know exactly what's going on here.
And how much fun would it be to have a bubblegum pink and glossy black bedroom? I think there's a little dramatic girly-girl at work here...
photographer: Philip Karlberg
And how much fun would it be to have a bubblegum pink and glossy black bedroom? I think there's a little dramatic girly-girl at work here...
photographer: Philip Karlberg
Dear Mister Wang,
Please take over at the Gap.
Granted, this would be doing the Gap a HUGE favor - but I think it would be worthwhile for the following reasons:
1. We the Cult of T by Alexander Wang are tired of having to buy multiples before they sell out. Throw us a rope - give us a steady and accessible supply of your fabulous basics.
2. The Bottom Line. Mass production most often means lower prices for the consumer and a larger profit margin for the producer. aka Win-Win.
3. Your vision is simply better than whoever it is they have named creative director. The fact that Target is eating away at the Gap's market share is testament enough.
I would also love to see what you would think up for Baby Gap.
Thanks for understanding.
xo,
Wilma
Please take over at the Gap.
Granted, this would be doing the Gap a HUGE favor - but I think it would be worthwhile for the following reasons:
1. We the Cult of T by Alexander Wang are tired of having to buy multiples before they sell out. Throw us a rope - give us a steady and accessible supply of your fabulous basics.
2. The Bottom Line. Mass production most often means lower prices for the consumer and a larger profit margin for the producer. aka Win-Win.
3. Your vision is simply better than whoever it is they have named creative director. The fact that Target is eating away at the Gap's market share is testament enough.
I would also love to see what you would think up for Baby Gap.
Thanks for understanding.
xo,
Wilma
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