The crazy beautiful artwork of Ryder E. Robinson. Growing up I was taken with Medieval artifacts of sorts. Something about the macabre romanticism of the time really captured my imagination. At every opportunity I would take the time to antique whatever I was creating (many tea bags, red sealing wax, and an open flames later, my parents gave up steering me towards more child friendly crafts). I've always loved the crinkling sound of old parchment and papers, and the look of sun faded books. One of my prized possessions is an old watermarked, tattered hardcover of ee cummings' poems that I found at a second hand bookstore in Maine one summer. Robinsons illustrations have caught my eye for all these reasons, and then completely blew me away with his attention to detail. The axe handle, the rope binding the cross, the detail of the broken jaw - but most of all, the ease which permeates each illusration. Despite the incredible amount of detail and precision, each image comes across as simple and effortless - almost as if he were just doodling offhandedly after peering through the fadded glass of someones cabinet of curiosities.








Sasha Pivovarova by Nathaniel Goldberg for Vogue UK November 2005

On drizzly warm rainy spring days like these I just want to escape to some deep leafy forest (in a leopard trench, or course) and sit in a tree to listen as the rain falls on the canopy above me.


Daria Werbowy by Nathaniel Goldberg

Browsing idly through photographers websites I came across this image. At first I glanced over it - her hair is not particularly well styled and her jacket, while being a gorgeous deep blue silk , is not shown well enough to really draw me in. The cropping and lighting is nice, but her eyes are unfocused which gives an odd vibe to the overall composition. She's almost looking at the camera, but not really? Just weird.

Then I saw it. That antler necklace. The raw silk cord fraying at the edges, the beauty of the curve, the texture of the bone, the iridescent pearls all come together to make this exquisite piece. I wonder how I could go about making one of these... I wonder who even made it in the first place! It would be such a striking alternative to all the bib necklaces turning up. I could see it paired with a relaxed simple black dress to really let the piece stand on its own. Now to go about finding a perfectly curved and unfinished antler...







Riccardo Tisci's studs - blouses, jackets, headbands, bags, dresses, blazers, pants... nothing but fun fun fun fun fun. Then we have the coins, the cuffs, and those beautifully simple shoes. With a Redux collection on the way (favorite pieces from past collections at lower price points), I wonder what he will pick to recreate...

source: style.com






Designers Nicole and Michael Colovos at Helmut Lang put together a simple and easy to wear resort collection. Inspired by 'erosion,' they experimented with burnout effects, suede treated to resemble rubber or smouldering metals, and drapping fabrics as if they were melting. I just love the leather and jersey cut-out skirt, and the soft jackets that have the potential to really pull an outfit together without looking too primped. This collection is a perfect example of a more relaxed Parisian attitude towards dressing finally working it's way over to our side of the Atlantic.

source: style.com



















Anna Selezneva by Camilla Akrans for Vogue China July 2009

I love editorials like this with full page spreads and just drenched in colour. Soft pink light, beautiful earth tones, and just enough movement to keep it from being stiff. and overly thought out. Shoots like this are why Akrans is fast becoming my favorite photographer.