Laura Laine


Kitsun Noir

The first time I saw one of Laura's illustrations was for the Zara campaign. I simply loved how the girls seemed to be caught in a perpetually perfect gust of wind. I was thrilled to finally find out more about her. Below are a selection of my favorite illustrations. It was so hard to narrow it down, I love them all! I also found an interview with her on Charlie's Design Diary. I hope you enjoy her stuff as much as I do!

Kenzo


Gareth Pugh


NY Times Magazine


Drawings


Drawings


Drawings


Drawings


Welcome to Finland Magazine


Tiger of Sweden


Hide and Chic


Zara


Zara


NY Times Magazine


NY Times Magazine


NY Times Magazine

source: www.lauralaine.net

Laura Laine for Muse Magazine













Alice in Wonderland ie Alince in the Vogue Styling Closet.

source: www.lauralaine.net

Camilla Akrans one of my new favorite photographers, and is quickly establishing herself on the fashion photography scene. She has shot for Vogue, Harper's Bazaar, and Numero, amongst others. I love how her shots have such a sublime texture to them. Her photos evoke the same feeling as when you put on your favorite lipstick: rich, creamy, full of pigment, and instant elegance all in one stroke. It's like cashmere for your eyes.






Siri Tollerod by Camilla Arkans for Numero









Devon Aoki by Camilla Arkans for Vogue Nippon





Tomek as YSL, by Camilla Akrans for Man About Town



Taryn Davidson by Camilla Akrans for Numero 93

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So I've been on this whole vampire kick lately, and it got me thinking: why the sudden obsession? Vampire novels and movies have been a huge hit for generations now; Bram Stoker's Dracula kicking things off, Ann Rice's Interview with a Vampire and the ensuing series, and most recently Stephenie Meyer's Twilight.

What our modern culture is conveniently forgetting is the obscenely morbid vampire history. Vampires were a legitimate threat in the minds of the Eastern Europeans to the point where they would dig up corpses and stake them just to ensure that they would not turn into vampires. Then Bram Stoker evolved the vampire idea from one of overt horror and gruesomeness to one that carried subtle undertones of sexuality and class - Dracula was a Count with the all the allure that comes with privilege. Anne Rice created vampires with a soul. Vampires that contemplated the hallowness of eternity, that searched for truth and meaning to their lives. With the Twilight series we see the emergence of an anti-hero that girls are swooning over. In editorials and marketing campaigns vampires are popping up all over the place, from the traditional Victorian Gothic inspired themes to lighter interpretations for sunglasses lines and youth fashion - all of which glamorize the vampire.

What is it that has captured us so completely with this folk fable? I think the vampire that we know now is one that has evolved to reflect our modern preoccupations and fears. Whereas in Medieval Europe when people feared the unexplained that went bump in the night, we find ourselves sated by science that the Medieval vampire cannot exist, and yet we continue with the imagery. Today we see a vampire that is no longer preoccupied with a thirst for blood, but with the need to feel a connection to something temporal and finite. More often than not, the vampires filling our imaginations are more concerned with truth and identity. Maybe they represent the hunger we have for human interaction, and remind us that we should savor every moment because we don't have an endless supply of them.

Deeper still, vampires hold the ultimate power over us - the ability to either condemn us to death or eternity, options that ultimately put an end to our lives as we know them. We have a fascination with things that hold power over us, to people who hold our lives in their hands. There is a marvel for that kind of power, one that we are hopelessly unable to overcome.

The vampire we know today is a philosophical, powerful, and deeply alluring being - characteristics that we at once fear and strive to embody. The vampire is our inner conflict, manifest. The development of the vampire myth evolves with our society.

All this thinking aside, I do love the aesthetic that comes with the vampire title. I fall victim to my own musings!


















Wildfox Couture



Karen Walker Eyewear


Vogue Russia September 2008